Quality

The touch and texture of the original,
kept exactly as it is

Print Quality

Museum-quality giclée prints,
crafted with LUCIA PRO II pigment ink

1Because We Use More Colors

Wider Color Gamut, Faithful Color Reproduction

11 Colors Plus Chroma Optimizer Transform Color Fidelity

Standard printing uses just four CMYK inks, but the range of color (the gamut) those four inks can reproduce is far narrower than what the human eye can see. Gradients may show banding (visible stripes), and subtle shifts in color can be lost.

GicleePOD uses Canon LUCIA PRO II (11 inks + Chroma Optimizer). Dedicated inks such as Photo Cyan, Photo Magenta, Photo Gray, Red, and Blue produce smooth, tone-jump-free gradients across a wide color gamut.

Ink Color Comparison
Standard Inkjet Printing4-6 Colors
GicleePOD11 colors + CO

CIE 1931 Chromaticity Diagram — RGB vs CMYK Color Gamut Comparison

Giclée 11 Colors + CO
CMYK 4-Color Printing
CMYK 4-Color Printing
Giclée 11 Colors + CO
CMYK 4-Color Printing

Limited Color Gamut, Vibrant Colors Appear Dull

Giclée 11 Colors + CO

Faithful Reproduction of Original Vibrancy

← Drag Slider Left/Right to Compare →

2Because We Use Pigment Ink

200-Year Lightfastness, Museum-Grade Durability

Pigment Ink Transforms the Lifespan of Your Work

Ink comes in two broad types: dye ink and pigment ink. The two develop color in fundamentally different ways, which makes a decisive difference in how long a print lasts.

The dye inks common in home printers develop color by soaking into the paper fibers. The result is vivid, but it breaks down easily under UV light and bleeds when wet — fading can set in within a few years.

GicleePOD, by contrast, uses Canon LUCIA PRO II pigment ink, which bonds to the paper surface as fine particles. It is exceptionally resistant to UV light and holds up against moisture. A crystalline-wax formula adds scratch resistance, meeting the archival standard required for long-term display in museums and galleries.

200-Year Lightfastness
Predicted value based on accelerated testing compliant with JEITA CP-3901B standards
High Water Resistance
Pigment particles adhere to paper surface, providing water resistance
Fade and Discoloration Resistant
Color maintained across generations. Meets museum display standards.
Dye Ink (Standard Printers)
Few Years
Before Fading Begins
← Color fading over time
Pigment Ink (GicleePOD)
200 years
Lightfastness (JEITA Standard Compliant)
← Maintains color almost unchanged

Framing

Gallery-ready from the moment it arrives

4 Wooden Frame Colors

We use solid oak, whose naturally unique grain lends each piece warmth and a refined presence. Choose from four frame colors; every print is framed in the buyer's choice and arrives with wall-mounting hardware, so the room becomes a gallery the day it lands. Prints are also available unframed.

Solid oak — a premium frame with beautiful natural grain
Acrylic Front — Safer, Lighter, and UV-Protective than Glass
Wall Hanging Hardware — Ready to Display When It Arrives
Protective Film — Scratch Protection for Frame Surface
Frame Colors
Natural
Warm Wood Grain. Perfect for Scandinavian and Natural Interiors
Brown
Rich Dark Wood. Works in Both Japanese and Western Rooms
Black
Modern and Sophisticated. Perfect for Photography and Black & White
White
Bright and Clean. Ideal for Pop Art and Watercolor

Packaging & Shipping

Unboxing experience is part of the art

Careful Packaging

Art should feel special the moment it arrives. We carefully protect all prints with art-specific packaging materials to deliver a premium unboxing experience.

Many buyers say, "I never expected such careful packaging." Investment in packaging quality enhances your brand value and leads to repeat purchases.

Corner Protectors Ensure All Corners Are Safe
Framed Works Protected with Custom Cardboard
Double Protection with Bubble Wrap and Kraft Paper
Ships within 0–1 business day of order confirmation
Tracking Number Included for Peace of Mind
If Damaged, We Reprint and Reship at No Cost

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